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Heavy metal (often referred to simply as metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and the United States. With roots in blues rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with masculinity and machismo.
The first heavy metal bands such as Led Zeppelin, Black Sabbath and Deep Purple attracted large audiences, though they were often critically reviled, a status common throughout the history of the genre. In the mid-1970s Judas Priest helped spur the genre's evolution by discarding much of its blues influence; Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Bands in the New Wave of British Heavy Metal such as Iron Maiden followed in a similar vein. Before the end of the decade, heavy metal had attracted a worldwide following of fans known as 'metalheads' or 'headbangers'.
In the 1980s, glam metal became a major commercial force with groups like Mötley Crüe and Poison. Underground scenes produced an array of more extreme, aggressive styles: thrash metal broke into the mainstream with bands such as Metallica, Megadeth, Slayer, and Anthrax, while other styles like death metal and black metal remain subcultural phenomena. Since the mid-1990s, popular styles such as nu metal, which often incorporates elements of grunge and hip hop; and metalcore, which blends extreme metal with hardcore punk, have further expanded the definition of the genre.
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Stevie Ray Vaughan - Live In Montreal 1984
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K'mono - Return To The 'E'
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In Greek mythology, Autolycus (/ɔːˈtɒlɪkəs/; Ancient Greek: Αὐτόλυκος Autolykos, 'the wolf itself') was a successful robber who had even the power of metamorphosing both the stolen goods and himself. He had his residence on Mount Parnassus and was renowned among men for his cunning and oaths.
There are a number of different accounts of the birth of Autolycus. According to most, he was the son of Hermes and Chione or Philonis. In Ovid's version, Autolycus was conceived after Hermes had intercourse with the virgin Chione.Pausanias instead states that Autolycus' real father was Daedalion. In some accounts, his mother was also called Telauge.
Depending on the source, Autolycus was the husband of Mestra (who could change her shape at will and was a daughter of Erysichthon), or of Neaera, or of Amphithea. He became the father of Anticlea (who married Laertesof Ithaca and was the mother of Odysseus) and several sons, of whom only Aesimus, father of Sinon was named. Autolycus' other daughter was Polymede, mother of Jason, the famous Argonaut who led a group of men to find the coveted Golden Fleece.
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Autolycus obtained most of the same skills that his supposed father Hermes possesses, such as the arts of theft and trickery. It was said that he 'loved to make white of black, and black of white, from a hornless animal to a horned one, or from horned one to a hornless'. He was given the gift that his thievery could not be caught by anyone.
Autolycus, master of thievery, was also well known for stealing Sisyphus' herd right from underneath him – Sisyphus, who was commonly known for being a crafty king that killed guests, seduced his niece and stole his brothers' throne and was banished to the throes of Tartarus by the gods.
Heracles, the great Greek hero, was taught the art of wrestling by Autolycus. However, Autolycus was a source of trouble in Heracles' life, because when Autolycus stole some cattle from Euboea and Eurytus, they accused Heracles of the deed; upon going mad from these accusations, Heracles killed them and another one of Eurytus' sons, Iphitus. This led to Heracles serving three years of punishment to repent the deed.
Through Anticleia, Autolycus was also the grandfather of the famous warrior Odysseus, and he was responsible for the naming of the child as well. This happened when the nurse of the child Eurycleia 'laid the child upon his knees and spoke, and addressed him: Autolycus, find now thyself a name to give to thy child's own child; be sure he has long been prayed for'. Then Autolycus answered: 'Since I have been angered (ὀδυσσάμενος odyssamenos) with many, both men and women, let the name of the child be Odysseus'.
In popular culture
Although not as well known as many other Greek mythological figures, Autolycus has appeared in a number of works of fiction.
- Autolycus appears as a paragon of thievery in Thomas De Quincey's 'On Murder Considered as One of the Fine Arts'.
- A comic thief in Shakespeare'sThe Winter's Tale boasts that he is named after Autolycus and, like the latter's father, Mercury/Hermes, is 'a snapper-up of unconsidered trifles'.
- Autolycus appears in Diana Wynne Jones' book The Game as a very mischievous brat.
- In the television seriesHercules: The Legendary Journeys and Xena: Warrior Princess, Autolycus appears as a comical antihero, portrayed by cult actor Bruce Campbell, who has a kinder heart than he lets on. As the self-proclaimed 'King of Thieves', he is depicted as a thief of great cunning but even greater ego which typically results in him getting in over his head in one scenario after another and even getting caught by Hercules. His wardrobe includes a green tunic, possibly in reference to Robin Hood (also known as a thief, particularly in the title of a film featuring Kevin Costner).
- Autolycus is the name of a fictional racehorse in the 1935 film The Clairvoyant, starring Claude Rains.
- Autolycus is the name of Debbie Aldridge's horse in the BBC Radio 4 series The Archers.
- Autolycus is the name of a midget submarine owned by the Lost Boys, the thieves of Philip Reeve's Mortal Engines series of books.
- Autolycus is the name of a pet jackdaw belonging to the fictional detective Albert Campion in the novels by Margery Allingham.
- Autolycus appears in an episode of the Canadian television series Class of the Titans episode 'Bad Blood' voiced by Joseph May. He was hired by Cronus to steal Hercules' last surviving arrow.
- The superhero/trickster figure of Uncle Sam in Robert Coover's The Public Burning (1977, New York, Grove Books) is described in the following terms (p. 7): 'American Autolycus, they called him in the Gospels, referring to his cunning powers of conjuration, transmutation, and magical consumption (he can play the shell game, not with a mere pea, but with whole tin mines, forests, oil fields, mountain ranges, and just before Thanksgiving this past year made an entire island disappear!)”.
- Autolycus was the pen name Aldous Huxley used when writing the 'Marginalia′ column in the Athenaeum.
- In the game Age of Empires Online, there is an army of computer-controlled opponents who call themselves the Followers of Autolycus. They must be defeated during several quests of the Greek civilization.
- Autolycus was portrayed by Rufus Sewell in the 2014 movie Hercules.
- Series 4, episode 5 of the British television series Father Brown is entitled 'The Daughter of Autolycus'.
- The Blue Guitar (John Banville 2015 novel) begins with the line 'Call me Autolycus.'
- The family of non-tailed dsDNA marine bacteriophages, Autolykiviridae, were named after Autolycus for their elusiveness, which had delayed their discovery (Nature, 2018, doi:10.1038/nature25474).
- Autolycus is the playable character of Italiangamebook series Hellas Heroes (Mauro Longo & Francesco di Lazzaro, Edizioni Librarsi) , where he is considered son of Hermes and Chione.
- ^K. J. Gutzwiller (1991). Theocritus' Pastoral Analogies: The Formation of a Genre (p. 37). Univ of Wisconsin Press. ISBN0299129446. Retrieved 2015-04-12.
- ^ abPseudo-Apollodorus, Bibliotheca 1.9.16
- ^ abHyginus, Fabulae 201
- ^Hesiod, Ehoiai fr. 64.
- ^Ovid, Metamorphoses11, translated by Samuel Garth, John Dryden, et al (MIT): 'unresisted revels in her arms ...'.
- ^ ab
- ^Pausanias, Pausanias's Description of Greece (p. lix), translated by J G Frazer, Cambridge University Press, 2012, ISBN1108047238.
- ^Eustathius, ad Horner p. 804
- ^Ovid, Metamorphoses 8.738
- ^I. Ziogas, Ovid and Hesiod: The Metamorphosis of the Catalogue of Women (p. 136), Cambridge University Press, 2013. ISBN1107007410. Ziogas states a detail of Ovid 8.738, 'Mestra is not actually mentioned by name in Ovid 8. 738'.
- ^Homer, Odyssey 19.394 & 416
- ^ abHomer, Odyssey24.334
- ^Tryphiodorus, The Taking of Ilios footnote 21
- ^Ovid, Metamorphoses 11.301
- ^Hyginus, Fabulae 50-99
- ^Pseudo-Apollodorus, Bibliotheca 2.4.9
- ^Pseudo-Apollodorus, Bibliotheca 2.6.3
- ^ὀδύσσομαι at LSJ.
- ^Homer, Odyssey19.400-405
- ^Murray, Nicholas, biography on Aldous Huxley 2002.
- Gaius Julius Hyginus, Fabulae from The Myths of Hyginus translated and edited by Mary Grant. University of Kansas Publications in Humanistic Studies. Online version at the Topos Text Project.
- Homer, The Iliad with an English Translation by A.T. Murray, Ph.D. in two volumes. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924. Online version at the Perseus Digital Library.
- Homer, Homeri Opera in five volumes. Oxford, Oxford University Press. 1920. Greek text available at the Perseus Digital Library.
- Homer, The Odyssey with an English Translation by A.T. Murray, PH.D. in two volumes. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1919. Online version at the Perseus Digital Library.Greek text available from the same website.
- Pausanias, Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1918. Online version at the Perseus Digital Library
- Pausanias, Graeciae Descriptio.3 vols. Leipzig, Teubner. 1903. Greek text available at the Perseus Digital Library.
- Pseudo-Apollodorus, The Library with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. Online version at the Perseus Digital Library.Greek text available from the same website.
- Publius Ovidius Naso, Metamorphoses translated by Brookes More (1859-1942). Boston, Cornhill Publishing Co. 1922. Online version at the Perseus Digital Library.
- Publius Ovidius Naso, Metamorphoses. Hugo Magnus. Gotha (Germany). Friedr. Andr. Perthes. 1892. Latin text available at the Perseus Digital Library.
|Wikisource has the text of the 1911 Encyclopædia Britannica article Autolycus .|